French Cultural Politics and Music : From the Dreyfus Affair to the First World War
von: Jane F. Fulcher
Oxford University Press, 1999
ISBN: 9780195120219
Sprache: Englisch
304 Seiten, Download: 21102 KB
Format: PDF, auch als Online-Lesen
Contents | 12 | ||
Introduction | 16 | ||
I: The Battle Is Established: Musicians Enter, 1898–1905 | 26 | ||
1 The New "Cultural War" and the French Musical World | 28 | ||
The Dreyfus Affair and French Musicians | 28 | ||
D'Indy, Anti-Dreyfusism, and the Schola | 37 | ||
The Republic's First Riposte: The 1900 Exposition and Music | 48 | ||
Sources of Support for the Schola | 61 | ||
The Battle over French Music History | 69 | ||
Ideological Dialogue at the Ecole des Hautes Etudes Sociales | 72 | ||
2 Creative and Professional Responses to the Politicization of Music | 77 | ||
D'Indy's "Ideological Music" | 77 | ||
Magnard's "Dreyfusard" Compositions | 87 | ||
Charpentier's Louise: Its Political Uses and Critical Misreadings | 90 | ||
The "Conservatoire Populaire de Mimi Pinson" | 110 | ||
Politicization in Repertoire Choices, Subventions, and Journalism | 116 | ||
II: The Battle Escalates and Is Won, 1905–1914 | 130 | ||
3 Proliferating Factions, Issues, and Skirmishes | 132 | ||
The Action Française and Music | 133 | ||
French Socialist Initiatives in Music | 139 | ||
The National-Socialist Musical Aesthetic | 146 | ||
Cultural Politics in French Musical Journalism | 149 | ||
Interlocked Battles over the "New Sorbonne" and the Paris Conservatoire | 153 | ||
The Conservatoire's Response through Fauré | 156 | ||
New Counterattacks on the Schola | 160 | ||
Politicization in the War of the "Chapelles" | 166 | ||
Perceptions of the Conflicting Musical "Dogmas" | 175 | ||
4. Responses of French Composers to the Traditionalist Victory in Politics and Music | 182 | ||
Debussy's Nationalism | 183 | ||
Satie's Creative Politics | 207 | ||
Charpentier's Disillusionment and Politics | 217 | ||
D'Indy's Triumph and His Enduring Obsessions | 219 | ||
The Dilemma of the Independents: Magnard, Ravel, Ropartz, and Roussel | 221 | ||
Final Attempts at a Reconciliation | 226 | ||
Scholisme and the Musical Mainstream | 227 | ||
The Last Skirmish: Le Sacre du printemps | 229 | ||
Conclusion | 234 | ||
Notes | 240 | ||
Bibliography | 278 | ||
Index | 298 | ||
A | 298 | ||
B | 298 | ||
C | 299 | ||
D | 299 | ||
E | 300 | ||
F | 300 | ||
G | 300 | ||
H | 300 | ||
I | 301 | ||
J | 301 | ||
K | 301 | ||
L | 301 | ||
M | 301 | ||
N | 302 | ||
O | 302 | ||
P | 302 | ||
Q | 302 | ||
R | 302 | ||
S | 303 | ||
T | 304 | ||
U | 304 | ||
V | 304 | ||
W | 304 | ||
Z | 304 |